LINE - TONE, MARK AND PATTERN
>Describe the behaviour of light
>Different textures and mark making
- Hatching
- Cross hatching
- Scribbling
- Shading
- Made marks
- Patterns
>TOM GAULD - tone and light
>DAVID CALLOW - tonal, graphic devices
3X4
>4 piece reference material - 3 drawings of each
Line week 2
Green ink - nib and brush fig. 1 |
pencil fig.2 |
Pen fig.3 |
white pen on black acrylic |
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pencil and red ink |
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pen and acrylic with dry brush |
Initially, I struggled a little with this task. From coming from a practice of photo realistic drawing, I find it quite hard to break things up into simple line and shape work. I automatically go into carefully rendering mode which always creates this same outcome. So for my first drawing (fig.1) this is evident, with shading and tone. I definitely had chosen the wrong material, as ink provides the choice of dense lines or fluid brush strokes. Instead of should of chosen a material that gives you no choice but create lines that don't smudge or bleed. So I then learnt from this and used pen (fig.3) which I actually think is my favourite of that series of three, as it communicates the same as the previous two but with a lot less tone and time spent over it. It's made me realise that you don't need to spend ages over a drawing to make it say something, you can do just the same or maybe even better just using simple line and mark making.
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